
photo-lithograph on paper, unique state
12 components: 159 x 145 cm
Purchased 1996
Courtesy of the artist and William Mora Galleries
Photography: John Brash
Emmerson uses reprographic processes in combination with constructed forms to comment on socio-political issues … Given the blurring between traditional notions of printmaking and the global dominance of print media today, Emmerson’s use of “impressions” suggests a soft touch, but it comes with a stinging critique of contemporary superficiality … he demands something more than a mere glossing over or scratching at, the surface of things.2
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The Art Gallery of Ballarat acknowledges the traditional custodians of the land on which the Gallery stands, the Wadawurrung people of the Kulin nation, and recognise their continuing connection to the land and waterways.